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whatever ?The Tea Party? Innovation: Here, Jerry Herman finds himself hip-deep in treble counterpoint, capturing the humorously deluded yet logical world of the three crazy ladies. Development: This song indeed grows larger in progression, until the procreate counterpoint ensues. In terms of its limit, ?The Tea Party? is delimit to its extreme. Transformation: The usage of counterpoint in this song is its costly important element. The round here centers around three buggy old woman each lost in their immerse world, concerned with their own problems.

Modes of Communicatio n: Jerry Herman is most comparable to Stephen Sondheim here, as Sondheim is most recognizable for his difficult melodies and use of counterpoint. The actresses in the pulverization I saw executed the song beautifully, never wanting(p) a note or beat. The audience responded to the song oddly well, perhaps because they recognized the difficulty of the piece, or enjoyed its humorous quality. ...If you assume to get a full essay, order it on our website: BestEssayCheap.com

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